Leica 8x20 Monovid
Review
If a tree falls in the forest with no one to hear, does it
still make a sound? What is the sound of one hand clapping? Does Leica’s
Monovid belong in the telescope or binocular section? Good questions, Zen
master. But also, what is Monovid and is it any good?
Monovid is essentially half a pair of Leica’s premium pocket
8x20 Ultravids, so it’s a really premium optic,
arguably more so than rival high-end monoculars from Zeiss and Nikon. What’s
more, an aperture of 20mm is the absolute minimum for general purpose use: the
likes of Nikon’s 7x15 will be for bright conditions only.
I go walking in the hills and woods around here most days and
the idea of a top-notch distance viewer that I could keep in a pocket is
appealing – for views of raptors, low flying military planes (loads around
here) and maybe the odd peek at a Moon rise.
However, it must be said that most monoculars are pretty
cheap and nasty, so read on to find out if Leica can escape that norm.
At A Glance
|
Magnification |
8x |
|
Objective Size |
20mm |
|
Eye Relief |
15mm claimed and measured |
|
Actual Field of View |
110m/1000m, 6.3° |
|
Apparent field of view |
~50° |
|
Close focus |
1.8m (30cm with macro lens) |
|
Transmissivity |
~90% |
|
Length |
10cm |
|
Weight |
112g |
Data from Leica/Me.
What’s in the Box?
The Monovid gets a miniature
version of the usual green and silver Leica box that I really like. The box and
presentation of the accessories gives the Monovid real gift appeal and I reckon
that’s why a lot of Monovids get sold.
Design and Build
The Monovid is based on the Ultravid 8x20 binoculars, not the
more basic Trinovids, but obviously it’s not just a
half binocular because it needs a different focus mechanism. Still, the Monovid
has many features from the Ultravids. It’s European
made (in Portugal, but no issue there – my Trinovid 7x35s from that factory are
superbly put together), has a metal construction covered in (real I think)
leather that reminds of the BL version of the Ultravid 8x20s. It’s a premium
product and should be for its substantial (£450 at the time of writing) list
price.
Monovid comes in at least three leather clad colours – the
black leather on review here, a black and silver livery from their Silverline
binocular range and finally a red leathered version in collaboration with the
Royal Opera House. My favourite is this one and it’s classy and small enough to
use at the opera anyway. As far as I know, unlike the Ultravids,
the Monovid isn’t available in a rubber armoured variant.
The Monovid shares its finish with other classic Leicas, like these 7x35 Trinovids
(new ‘Retrovid’ model).
Body
The Monovid looks like a weighty Astro’ eyepiece, but it
really is very light at just 112g – much lighter than the solid metal build
would suggest, much lighter than any binoculars. It is small too and would
easily fit in a pocket for every walk, without weighing and swaying too much.
Did I mention the beautiful quality of the build and
components? No plastic here. Said it before, but Leica excel in this regard. I
absolutely love the anodised and leathered finish, but (as with my leathered Trinovids) I kinda know armour
would be more practical. That said, the Monovid looks like it’s built the same
way as Leica binos, so I’m guessing Leica could
service and repair it (little hope of that with Nikon or Vortex).
One advantage of the monocular format is robustness anyway.
By comparison, this seems to be a problem with miniature binos:
over the years, I’ve had three pairs of 8x20 binos
from different brands go out of collimation from a light knock that didn’t mark
them.
Like Leica binos, the Monovid is
fully sealed, nitrogen filled and waterproof to 5m.
Focuser
In appearance terms, the focuser is beautifully done – that
big knurled and curved wheel behind the objective. However, I don’t like the
action: it’s accurate and smooth, but very stiff. This is slightly problematic
in use, as we’ll see.
The Monovid focuses quite close: I measured under 2m, just as
claimed. With the macro lens in place, it’s much less – see below.
Optics - Prisms
The Monovid uses a standard Schmidt-Pechan
(a.k.a. Roof) prism to erect the image, complete with P40 phase contrast
coating for optimum resolution.
Optics - Objectives
The 20mm objective is probably a triplet. In any case, it’s
treated to Leica’s premium greenish-tobacco coatings and (surprisingly) also
the Aqua DuraTM water and dirt repelling tech’ from their Ultravid
bino’ range.
Internally, build quality looks outstanding and the focuser
cage contains ridged baffles to combat stray light.
Coatings are premium, internals well baffled.
Optics - Eyepieces
Field of view is nothing special at 110m/1000m, which is 6.3° true and about 50° apparent. Physical limitations make
FOV a problem for very small optics, but the Ultravid 8x20 binoculars
have slightly more, Zeiss’ 8x20 Victory binos more
still.
Unusually for a monocular, and for Leica in general, the
Monovid has ample eye relief for specs wearers like me. Leica claim 15mm and
that’s what I measured, from the rim of the eye cup (not the lens which gives
an inflated value). It’s enough to comfortably see the whole field with my
glasses. What’s more blackouts aren’t a problem.
The eyecup clicks (not twists) out to allow for viewing
without specs on. There’s only one position, but it should work fine for most.
Clicking the cup out reveals the serial number, by the way.
Eye cup has one
click-out position, reveals serial number.
Accessories
The premium vibe really continues with the accessories.
There’s a little tubular hard case in thick black logo-embossed
leather. The case includes a pair of felted lens covers fixed on webbing that
help extract the monocular when you open the lid by pushing it up and out –
clever!
The case lid also contains, on a screw thread for security,
the most important Monovid accessory – a close focus lens that screws in front
of the objective and gives the monocular impressive close viewing potential,
somewhere between a hand lens and a full-on microscope.
A single lens cap is provided for the eyepiece. A wrist
lanyard takes the place of a conventional bino strap.
In Use – Daytime
Ergonomics and Handling
The Monovid is very small and short and in some ways that
actually counts against it. It’s great for carrying, but I found it harder to
hold steady than a pair of 8x20s binos, harder than a
longer monocular too.
The focuser is too stiff. Combined with the extremely snappy
optics it can be really hard to find perfect focus, because focusing causes so
much extra jiggling.
Eyepiece comfort, surprisingly for a monocular, is very good
indeed – well up to the best small binocular standards.
The View
Lean on something to kill those shakes and you realise that
the basic view is very good. Optical quality is excellent and the view is
sharp, detailed and crisp. Colour rendition is state of the art, thanks to
those premium Leica coatings. I had some excellent views of waders out in the
bay and a Moonrise later, just by leaning on a fence post.
Trouble is, without anything to lean on those shakes make it
hard to enjoy the premium optics. And I couldn’t help noticing how much using
only one eye degrades the ‘view’. I should know this from using telescopes, but
it’s a shock. The view looks the same as a premium small bino’s in the pic’
below, but your brain doesn’t experience it that way.
Flat field?
The Monovid’s field seems reasonably wide in use and it’s
usable to the edge (note the roosting pigeon!), where the sharpness tails off
just a little from some field curvature and astigmatism.
Chromatic Aberration
The
Monovid collects little light to start with and false colour fringing is never
a problem – performance is like a good HD binocular is this regard.
In Use – Macro
Unthread the little macro lens from the case lid, screw it
onto the front of the Monovid’s objective and you
have a macro viewer that’s substantially more powerful than a hand lens, but
clear and sharp. I found it easiest to focus at a sensible distance (say 50cm) then
move your head and the Monovid to get perfect focus on the object. I had some
interestingly detailed views of a fossil fern with it.
Note: don’t try to use it like a microscope – close focus is
maybe 30cm.
I guess the macro could be of real utility to antiquarian
book enthusiasts, art restorers, fossil collectors and coin/stamp collectors
among others.
Monovid with macro lens attached and a snap through it.
In Use – Dusk
The 8x20 monocular format means the Monovid’s
abilities fall off sharply in low light.
In Use – The Night Sky
I’ve used a pair of premium 8x20 binoculars very successfully
on the Moon. When I lived in Switzerland, Alpine walks often ended in twilight
with wonderful peeks at Luna with a pair of Nikon 8x20
HGs. And I found Zeiss’ 8x20s ideal for looking at the full Moon, giving a
sharp, contrasty view, but not too bright.
Unfortunately, the Monovid didn’t work so well. To really see
anything, I had to lean on a support. And even then, the result seemed much
less detailed and interesting. What’s going on?
The problem here isn’t Leica’s optics, but my brain. Human
brains are designed for binocular visual processing and even astronomical
telescopes benefit hugely from a binoviewer (even though in theory it adds
nothing to the monocular optics, only detracts from it with extra glass in the
way).
In general terms, though, the Monovid is fine – sharp optics,
good suppression of stray light and a flattish field as well. The problem is simply
that the small monocular format is very limited (but not useless) for astronomy.
Let’s break that down:
The Moon
I did
get an enjoyable look at the rising Moon over the bay, but any decent
binoculars would have revealed more with stereo vision. Still, I could make out
the basics – the curving mountain rimmed bay of Sinus Iridium, the major
craters like dark-floored Plato and bright Tycho with its Moon-crossing rays,
huge Copernicus too.
The Moon
produced no nasty flare or spikes, no false colour.
Planets
Jupiter
surprised by yielding an obvious disk, again with no spikes or flare, likewise
a bright orange Mars. Saturn revealed a saucer-shape and a creamier colour than
Jupiter.
Deep Sky
I
couldn’t really get much deep sky from the Monovid. Even 8x20 binoculars
struggle to reveal much and I generally reckon 8x30 to be the minimum for star
fields, clusters and bright nebulae.
Summary
Most visual astronomers have come
to a hard truth in recent years – even crummy eyepieces in a cheapo binoviewer
show you more than a super-premium single eyepiece. This has nothing to do with
the optical system, it’s just that brains are wired to process and synthesize
in stereo. And that really is the Monovid’s problem.
Optically it’s just one barrel of a pair of Ultravids,
but that’s not how it seems. The view seems less detailed, less vivid, less involving.
Blame your brain.
Then there are the shakes. I
struggled to hold this tiny object steady enough to get a good view. But rest
on something and it’s fine.
Finally, the stiff focuser makes
finding perfect focus hard, again unless you rest on something.
I don’t want to sound to down on
the Monovid. It’s probably the best tiny monocular anyone could build. It is a
beautiful thing, with thoughtful luxury accessories. It is super tiny and light
weight. But unless you really need that extra pocketability,
stick with binoculars.
One practical use I really could
see for the Monovid, though, is as a super-powerful hand lens for various types
of collectors and antiquarians. It could be a wonderful gift for someone with
such interests.
Beautifully made and equipped though it is, fun toy though it
is, the Monovid is really only useful as an ‘emergency’ distance viewer for when
you’ve left the binos behind. I didn’t find it very
useful for astronomy, even for quick looks at the Moon. However, the macro feature
is a big step up from a hand lens and could be very useful.
